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JUMPING ON THE WAGON THE STRAITS TIMES Life!Music
Friday, 11 November 2005
Live music by local bands draws in the crowds. So what if they do mostly covers?

DANCE music and international DJs are no longer the top draws in nightspots. Drum roll please, for homegrown bands which are now stealing the spotlight.

For instance, crowds have been flocking to Rouge in Orchard Road to watch veteran John Molina & Krueger.

The cover band became the two-year-old club's first-ever resident band on Sept 5, after Krueger's three-year stint ended at China Bar at Central Mall in June.

Krueger's arrival at Rouge saw an increase in patronage of 200 per cent, 'if not more', says Mr Yung Ong. He is director of the Peranakan Place Complex which runs Rouge, Rouge Outdoors, Acid Bar and Alley Bar, all situated along the stretch.

'We were trying to look at our cluster of outlets as a complex rather than individual places so that all of them can co-exist and be beneficial to the group,' he says.

Krueger was brought on board to cater to a market of patrons who wanted live music.

The 6,000 sq ft Rouge which opened in December 2003 previously employed DJs who would spin house music nightly to a half-filled dancefloor.

These days, weekends are the busiest with over 700 working professionals in their 20s to mid-30s packing the place to watch the sexy Molina, 35, and his band dish out covers of artistes from Coldplay to Guns 'N' Roses and The Killers

Rouge is not the only nightspot reaping the rewards of a live band.

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ROCK STAR - 8DAYS
Thursday, 17 November 2005


8DAYS: You've been performing for a toal of 13 years. What about the old days do you miss the most?
JOHN MOLINA: WHAT I miss most is the responsiveness from the crowd. People really used to dig 'live' music before. You know, before this pill-popping, f**king techno shit came in. But I also belive it;s a cycle - 'live' music is coming back in a big way. This is beginning of the next three-to-five year cycle. The audience is coming back in a big way.

Part of the audience now includes 18-year-olds that weren't part of the previous cycle in the mid' 90s. Does that mean you can't perform the good old stuff?
Actually, what I really want to do is to have a good repertoire - start from the '80s - of classic stuff like Spandau Ballet, Duran Duran and Tears For Fears.

No Bros? Matt Bianco? Sinita?
(laughs) No cheesy stuff.

Will the kids get it though? I mean the '80s stuff they know was written by Stock, Aitken and Waterman.
You have to educate them over the mic to bring them to a better dimension. The band shouldn't be playing stuff we hear when we're dancing, we should be playing what we think the audience should be dancing to - quality stuff.

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